Oblivion (2012) 8 min.
for choir and metal ensemble
Performed by the Ariose Singers and Oblivion
If there is one thing that I want to contribute to art music – it is the acknowledgement of Heavy Metal as a viable and meaningful art form. A substantial amount of my work within and outside academia encompasses the sound of a distorted electric guitar. There are several different worlds and ideas that come together in this piece. The most obvious being Choral music set against Metal music. A more subtle interplay is the rhythmic dissonance which occurs between the two worlds and within themselves. I created a long range harmonic polyrhythm that cycles every sixty bars within the metal ensemble and an independent polyphonic structure with the choir. The unifying feature between the two worlds is the scale – an ancient Byzantine mode (Tone 4 chromatic), each world uses the same scale a perfect fifth apart. To me, this creates a hypnotic and mesmerizing soundscape. It sounds endless. Limitless. Oblivion is also the name of the band I am in, for whom I intended this piece. Oblivion is a word most people misuse – it means “the condition or state of being forgotten or unknown.”